PERFORMANCE
Of Course I Take It All with a Grain of Salt
Performance with video projection
Tourniquet
Kinetic sculpture
Astrolabe
Performance, 20 minutes (Choreography for five, Vocal Score/Performance) and Sound
Still Points
Performance for five (choreography and vocals)
Death in the Family (Love Letter to a Satellite)
Performance with text and live, improvised music (60 minutes)
Drone Exercises
Performance and Installation (13 year old boy, drone, case, florescent lights, windowless attic)
Neither Here and There
Performance for Three
Peaceful Warrior
Installation, with sound, performance, video (Animated digital projection of blank slide projection perpetually looped, ladders, string, plastic, wood, drop ceiling panels, two hours, Nate Flagg (Artist/trained anthropologist/ghost), plastic sheeting/tent, fake arrowheads, arrows without fletching, glow in the dark replicas of severed little girl fingers from the Dani Tribe, dead hummingbird, two-hour-long recording of the thoughts of Nate Flagg, an 80 year old Robert Gardner, Frank Zappa, circa 1985, socio-linguist Debora Tannen, ethnologist Karl Heider circa 1961, and others in the voice of the artist, accessible through headphones connected to a device connected to headphones connected to a device connected to headphones connected to the head of Nate Flagg.)
Where I left you
Drawing, Performance, Installation
Tuning
Kinetic sculpture (Custom plastic tooth grips fitted with three tuning pipes, custom nosepieces tied to different stories of three story building, mono filament, wire, zipties, clamps, stairwell, three friends)
YMNO (My Neck, My Back)
Sculpture/Performance (Custom plastic mouthpieces, T. and A.)
Measures for Unnamed Plants
Performance (Four Movements for the cello, slide projection of images of plants that have no scientific or colloquial names, pedal for changing slides.)
Stand By
Performance triptych
Allowing Some Things
Performance (Brother, Sister, Stolen Choreography)
Conversions
Digital video (Duration: 20 minutes) (estranged grandfather and granddaughter, conversion narrative, three positions, Healing Room, twenty minutes, video camera, tripod)
Holding the Milk
Performance and Video (person, farm, milk, jokes)
Walk with a Friend (Displacement Meditation)
Performance (6.4 km road, 746 pebbles, three hours, video camera, Anna and Lizzy)
Homographies
Digital video (1 min. 36 sec.) (Abridged spiritual; artist’s grandmother, 8 hours; artist’s mother, 4 hours; artist, 12 hours)
Forgiving Richard Serra
Experimental Film (90 minutes)
I don't re//member
Nine-channel Video Installation
